During his latter-period experimentations with non-traditional sounds and arrangements, Jimi Hendrix referred to his collaborations as an “Electric Church.” More than a half-century later, the cover art to Carlton Melton’s latest album can be interpreted as a subtle nod to Hendrix’s place of bluesy worship: A vine-covered electric crucifix towers over a country road, hinting at the awe and mystery of spiritual salvation while remaining rooted in the dirt and grime of a deserted, autumnal field.