The artist Françoise Gilot (1921–2023) repeatedly advised against retrospective thinking, particularly if that exercise results in pangs of regret. Such proclamations should typically be met with skepticism: it is difficult to imagine an eye that never turns, a mind that never roams.
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Dualities of past and future merge with progress and completion, signifier and signified in Aura Rosenberg’s excellent two-part survey, What is Psychedelic, at Pioneer Works in Brooklyn and Mishkin Gallery in Manhattan. Spanning five decades of myriad mediums and compelling overarching themes, both within and beyond the “Berlin Childhood” series, the exhibition is also supported by a comprehensive catalogue.