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and it means novak djokovic will lose his number one status. good morning. something of a mixed weekend coming up. i think all of us will see some dry, hopefully sunny weather at some stage, but there are also going to be some showers moving on, particularly to the north and west of the uk. more details for you, as ever, coming up. it is saturday 21 may. our main story: russia has declared victory in its battle to conquer the ukrainian port city of mariupol after the last fighters defending the azovstal steel plant laid down their weapons. ukraine s president zelensky confirmed the troops had been given permission to surrender and hopes they can be released as part of a prisoner exchange programme. fierce fighting continues in the south and east of ukraine, as simon jones reports. under attack, these pictures released by ukraine s state emergency service are said to show a russian missile strike on a cultural centre in the east of the country. president zelensky described the ....
we re not here to discuss i humanity, that is religion s sphere of operations. and what of morality? i think it s such a good performance. so the film looks at his life, in wartime, after the war in which he surrounded by others and later on his marriage. in later years he s played by peter capaldi. and by the time he s played by peter capoldi he s basically become very, very embittered and you know, feelings of failure and desolation. and what s interesting about the film is, i think that terrence davies has found in the life of siegfried sassoon a number of elements that chime with his own preconceptions. there is a story about a character who is conflicted about his sexuality, and that is something in which terrence davies has addressed indirectly in his films before. there s the issue of religion. siegfried converted to catholicism later in life and terrence davies kind of famously turned his back on the church after feeling abandoned by it. and so what you have is ....
who is conflicted about his sexuality and that is something in which terrence davis has addressed indirectly in his films before. there s the issue of religion. siegfried converted to catholicism later in life and terrence davies kind of famously. turned his back on the church after feeling abandoned by it. and so what you have is an artist, a poet of the cinema making a film about a poet whose life encompasses and social changes but at the centre of it it is a really kind of heartbreaking story about somebody who can t be who they are, isn t sure who they are, isn t certain that the art they are making is actually as good as it ought to be and seems to be trapped in a situation when they want to change the world, they want to change themselves and they are constantly thwarted. it s like a collage, it flips backwards and forwards in time and we get different actors playing the same characters. as always with terrence davies movies, is beautiful to look at, he is a real ....