Anamaria Koeva reviews The Story of Art Without Men, contemplating the significance of women within the art history canon and their erasure from art history
If there is one thing I learned last summer as I lived and worked in Lewiston, it is that this city is dedicated to the public arts and sees legitimate value in the unexpected encounters of a mural, a series of photographs along the road, or sculptures that either light up, rattle, or linger peacefully.