christopher: they say, bonjour, monsieur. blah, blah, blah. blanca: i always feel welcome here. i never consider that this is mine. it s theirs, and they ve allowed me to live here in a very nice way. and i feel recognition. they know who i am. they know who i am. anthony: there is a side-by-side aspect to life here that s very unusual. blanca: very unusual here. it s mostly, you can do whatever you want if you do it with good manners. anthony: but it is a sort of a station of the cross for, you know, the bad boys of culture. i mean, verlaine, rimbaud, iggy pop, the stones. christopher: burroughs and guyson. anthony: burroughs writes about, he came here to be a writer. christopher: he was a junkie before he was a writer. anthony: as so many of us were. [ laughter ] but i think this was a place where if you wanted to think of yourself as a writer, you would come here and somehow you were working within a romantic tradition. christopher: yes. anthony: burroughs sa
For morocco and the friendliness and the courtesy of the people and its children. it s bonjour. [ speaking foreign language ] i always feel welcomed here. i never consider that this is mine. it s theirs and they ve allowed me to feel here in a nice way. i feel recognition. they know who i am. they know who i am. there is a side-by-side aspect to life here that s very unusual. very unusual here. it s mostly you can do whatever you want if you do it with good manners. it is a station of the cross for, you know, bad boys of culture. i mean, rambo. iggy pop. the stones. burroughs writes and came here to be a writer. he was a junkie before he was a writer. as so many of us were. a place to think of yourself as a writer you would come here and somehow working within a romantic tradition. yes.
The granddad of new england, as you might say. i always feel welcome here. i never consider that this is mine. it s theirs and they ve allowed me to live here in a very nice way. and i feel recognition. they know who i am. they know who i am. there is a side-by-side aspect to life here that s very unusual. very unusual. mostly, you can do whatever you want. if you do it with good manners. but it sort of a station of the cross where, you know, bad boys of culture. burrows came here to be a writer. as so many of us were. if you wanted to think of yourself as a writer, you would come here and somehow you were working with a romantic tradition. burrows right up front, me, a
Children who, you know, they don t say, off, granddad, like they do in england. like they do in england. blanca: no, no, no. christopher: they say, bonjour, monsieur. blah, blah, blah. blanca: i always feel welcome here. i never consider that this is mine. it s theirs, and they ve allowed me to live here in a very nice way. and i feel recognition. they know who i am. they know who i am. anthony: there is a side-by-side aspect to life here that s very unusual. blanca: very unusual here. it s mostly, you can do whatever you want if you do it with good manners. anthony: but it is a sort of a station of the cross for, you know, the bad boys of culture. i mean, verlaine, rimbaud, iggy pop, the stones. christopher: burroughs and guyson. anthony: burroughs writes about, he came here to be a writer. christopher: he was a junkie before he was a writer. anthony: as so many of us were. but i think this was a place where if you wanted to think of yourself as a writer, yo
From morocco and the friendliness and the courtesy of the people and its children. it s bonjour. [ speaking foreign language ] i always feel welcomed here. i never consider it s mine. it s theirs and they ve allowed me to feel here in a nice way. i feel recognition. they know who i am. they know who i am. there is a side by side aspect to life here that s very unusual. very unusual here. it s mostly you can do whatever you want if you do it with good manners. it is a station of the cross for, you know, bad boys of culture. i mean, rambo. iggy pop. the stones. burroughs writes and came here