Vice president lands in the United States. William ly is stopping off in new york when his flight to power by aging costs and the trouble of make up the. Hi. Im eddie micah, julia and you welcome to the program. How i is that tony general has opened an investigation into how authorities responded to wild fires that ravaged the island of maui. Many rest of them say they received no warning that ablaze was approaching. That told has no reason to 93, making if the deadliest wildfire disaster in the United States for more than a century. The azure of the North Pacific lops against them, always tossed coastline for almost a week on from the wild fires. The clean up process across the island is underway. As the us army released to, to help with the rescue efforts. Criticism of the Emergency Response is beginning to emerge. Yeah, and ive pretty much everybodys saying the same thing that we had no warning, no evacuation notice. So a lot of people are not prepared, you know that by the time the
Why didnt you go, i mean, didnt you go . Seryozha, well, you cant do that, youve been sitting in one place for a month, you should have gone with them, at least get some fresh air, uhhuh, so that everyone will stare at me, feel sorry for me, yes, listen, theres no need to become limp, youre a normal person, seriously, what a. Young, pretty invalid, so healthy that hell sit in this wheelchair his whole life , well, why are you saying that, no one thinks that about you, i can see everything in their eyes, it would have been better if i had broken my neck then, they would have cried for a month and calmed down, dont you dare say that, you hear, thats it, give it here, thats enough, come on, ill help you get up, stop it, i said, get up, stop it, but no touch me, i said, mom, mom, whats wrong with you . Mom, now, hello , hello, come quickly, please, these women are not feeling well, eastern 39, please, i beg you, hurry up, mom, mom, the ambulance is on its way, mom, laris, how are you, what
who s a creative director from visual effects house framestore, now, it s important to remember always when you re dealing with this kind of stuff, that the ai doesn t understand what it s drawing. and actually that s what gives it its unique, quirky animation style. and actually that s what gives it its unique, quirky animation style. you can see in that robot there, the controls on the front, all the buttons are rippling and glitching. yeah. it can t keep them consistent over the number of frames you ve animated it. so thatjust seems to be part of the thing where it doesn t necessarily understand what needs to stay the same in the animation. funnily enough, actually, there s a moment where the girl robot spins her head around, and that was something that itjust did serendipitously. i didn t ask for that, and itjust did it. i mean, it s one of the interesting things about this, the sort of serendipitous nature of it giving you something unexpected, which is also part of the
the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative ai creators at the moment, put it together in his spare time. it started off life as a test. and i wanted to do a test that was more elaborate than just a couple of shots. i wanted to try and string together something which had a bit of narrative to try and drive the kind of ambition of the shots. will actually had to use different generative ai tools for different parts of the process. first, he asked midjourney to come up with some still images of the kind of characters that he wanted. and so i might describe a sort of vintage tin robot playing a trumpet, for example, and then you get a kind of set of images to choose from that you might or might not like. and the great thing is that it takes abou
we ll find out what lara s thinking as she immerses herself in culture. i know what i m looking at now, but how do i feel? and less than two years after ai took up art, is it ready for hollywood? spencer s getting his big trailer voice ready. the ai will listen to the audio. deep trailer voice: ..and generate me a new one. jazz music plays. this is the tinpot jazz orchestra. it lasts less than a minute, but it is a charming, glitchy, cartoon like production created using generative ai video tools. now, this means that the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative ai creators at the moment, put it together in his spare time. it started off life as a test. and i wanted to do a test that was more elaborate than just a couple of shots. i wanted to