the european commissioner, peter mandelson, has questioned the wisdom of publishing the cartoons, he says, publishing them again and again pours petrol on the flames. you talk about frustration with governments, now, but your whole career, basically, sounds as if it s been banging your head against a brick wall. great to see you, how are you? how do you feel, as president, that you are going to go down in history as a president who presided over a loss of a large part of your territory? oh, gosh, yes. we understood that you wished to do this interview, and you wished to reply to questions that we, in the name of the bbc, are putting towards you, am i not right? cheers! yeah! to the next 20 years! how come you all have water, and i have got wine? that s terrible! so go on, you ve got to take us back to the first run. we want to hear, tim, your thoughts on how it all started, and what it was all like. you know, the strangest thing about starting it was that people didn t talk
cheers! yeah! to the next 20 years! how come you all have water, and i have got wine? that s terrible! so go on, you ve got to take us back to the first run. we want to hear, tim, your thoughts on how it all started, and what it was all like. you know, the strangest thing about starting it was that people didn t talk about the content, they were obsessed with what i might wear on set. and the ideas were so bizarre, ranging from a normal suit, to a smoking jacket and fez, at one particular point. but luckily, we got off that, we got onto the interviews. and we got away from the idea that if you are going to do a 25 minute interview, it wasn tjust more of the same questions, it was going to have to have a different character, and it was going to start drilling down and become more of a cross examination in an interview. than an interview. really putting facts to people. i mean, there is an obsession with what are facts, now. fake facts, what are real facts, now? but actually, 2
the european commissioner, peter mandelson, has questioned the wisdom of publishing the cartoons, he says, publishing them again and again pours petrol on the flames. you talk about frustration with governments, now, but your whole career, basically, sounds as if it s been banging your head against a brick wall. great to see you, how are you? how do you feel, as president, that you are going to go down in history as a president who presided over a loss of a large part of your territory? oh, gosh, yes. we understood that you wished to do this interview, and you wished to reply to questions that we, in the name of the bbc, are putting towards you, am i not right? cheers! yeah! to the next 20 years! how come you all have water, and i have got wine? that s terrible! so go on, you ve got to take us back to the first run. we want to hear, tim, your thoughts on how it all started, and what it was all like. you know, the strangest thing about starting it was that people didn t talk
Looking back at 20 years of research-based practice in Ghana, Jesse Weaver Shipley’s latest exhibition blurs the distinction between political rebels and artists.
Two literary luminaries turned 80 this year and their body of work seems just as limitless. Prof Austin Bukenya and Prof Arthur Gakwandi are pivotal writers, whose influence extends beyond borders