xx a massive influx of migrants. people are scared. they are desperate. the reality is there s just too many people. my message is this, do not just show up at the border. let me in, immigration man can i cross the line and pray i can stay another day let me in, immigration man i can see you anyway we are the united states of america. none of us would have our children in that position! they are human beings! who gets to be part of the american political family? who can become an american? our country is full. won t you let me in, immigration man can i cross the line and pray how can anyone be anti-immigrant? we are all immigrants. with my immigration form is big enough to keep me warm america is a melting pot. you better watch out for the man let me in, immigration man, can i cross the line and pray the dreams that unfold here are those that what make america soar. people willing to risk everything for the dream
- i m rick james, bitch. (audience laughing) - in living color set up a platform for black comedians blowing up. - i don t think so. homie don t play that. (audience laughing) - arsenio hall was, woo, woo, woo, woo, woo. it was groundbreaking. - [audience] woo, woo, woo, woo, woo. - you had a black man willing to fight the power. - nice being out of jail. (audience laughing) - laughter is healing, laughter purifies the air. actually i don t like to talk about the races, because i m white. - and we, as black people, have been doing it forever. - i am, this is a freckle. (audience laughing) - all black comedians discuss race. - it s harder being gay than it is being black. i didn t have to come out black. (audience laughing) - we have to address our pain to make you laugh, and so that we could get through it. - mom, i m black. oh, no, lord jesus! (audience laughing) (upbeat music) (upbeat jazzy music) - in the 1930s, segregation kept black audiences out of white theater
impressionable young people, many from good families who he manipulates with mind-control techniques, turning his group of peaceful hippies into a devoted death squad. police have yet to make the connection between the carnage at two of manson s bloody crime scenes, and charlie is way ahead of them. he wants more death, and he wants it the very next night. how will investigators ultimately piece it all together? here s part two of the devil s work. [ ominous chord strikes ] i spent the best part of my life in boys schools, prisons, and reform schools. roberts: you can t understand charlie manson without understanding his criminal past and his time in jail. rick: in order for him to survive, he developed skills to manipulate people. prison is where manson perfected the art of the con. he s inspired by a very unlikely source. his personal guru is none other than dale carnegie. dr. jordan: how to win friends and influence people. and then he used those techniques, that ab
- your biggest, biggest superstars in comedy have been black. (eddie yelling) - just genius and hilarious. - yeah, i said it. (audience cheering) - the chappelle show redefined sketch comedy. - i m rick james, bitch. (audience laughing) - in living color set up a platform for black comedians blowing up. - i don t think so. homie don t play that. (audience laughing) - arsenio hall was, woo, woo, woo, woo, woo. it was groundbreaking. - [audience] woo, woo, woo, woo, woo. - you had a black man willing to fight the power. - nice being out of jail. (audience laughing) - laughter is healing, laughter purifies the air. actually i don t like to talk about the races, because i m white. - and we, as black people, have been doing it forever. - i am, this is a freckle. (audience laughing) - all black comedians discuss race. - it s harder being gay than it is being black. i didn t have to come out black. (audience laughing) - we have to address our pain to make you laugh, and so that
- oh, don t question my authority. thanks. archie: guess what famous and important personality i carried as a passenger in my cab today? randall park: we talk about race and culture in serious ways. that s important. randall park: discussing these things in a sitcom, you re not defensive. you re able to kind of take in new ideas. archie: i ll give you another hint. bongo bongo bongo. meathead: well he s either desi arnaz or knowing you he s probably black. helen hunt: all in the family was doing something that nobody had ever done. sammy: mr. bunker? eve plumb: we re talking about having one of the biggest bigots in america archie: sammy davis junior! eve plumb: . with a black man coming to his house archie: mr. davis, my daughter gloria standing over there. sammy: hello gloria, how do you do? archie: .and her husband mike. sammy: hello mike. archie: no! no! john lithgow: it was electrifying. sally struthers: i was tingling the whole time. sammy: one, two, three! todd bridg