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It’s always a good time to celebrate Black history: How to watch ‘Judas and the Black Messiah,’ ‘Small Axe,’ more Updated Feb 18, 2021; Posted Feb 18, 2021 Lakeith Stanfield, foreground, and Daniel Kaluuya on the stage, are shown in a scene from the film, Judas and the Black Messiah. (Glen Wilson/Warner Bros. Entertainment via AP)AP Facebook Share Over the years, the fact that February is designated as Black History Month has prompted both celebration and skepticism. On the plus side, February typically brings to TV a richer-than-usual selection of films and shows that are created by Black artists and that explore the texture and history of Black experience and culture. On the minus side, critics question why one paltry month is deemed sufficient to honor Black Americans, and their contribution to the nation. ....
The Black Mafia Family series is based on true events. It tells the story of two brothers, “Big Meech” and “Southwest T” who came from the troubling streets of southwest Detroit in the late 1980s. The Black Mafia Family is considered to be one of the most influential crime families who chased the American Dream however, things happened along the way that disrupted their brotherhood. Big Meech’s son, Demetrius, also known as “Lil Meech” will make his acting debut, and play his father. Grown-ish actor Da’Vinchi will play the role of BMF’s co-founder/Big Meech’s brother, Terry “Southwest T.” Kash Doll has a recurring role on the show. She’ll play Monique and actor Russell Hornsby will star as the family’s patriarch, Charles Flenory, according to All Hip Hop. ....
2021 Sundance Film Festival Review – R#J Starring Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, and Russell Hornsby. SYNOPSIS: A modern-day adaptation of Shakespeare’s romantic tragedy “Romeo and Juliet.” A movie adaptation of The Bard’s most popular play for the Instagram set has the obvious potential to be completely insufferable, and yet, Carey Williams’ daring debut harnesses just enough beguiling skill and slipperiness to prove itself worthwhile. Perhaps every generation gets the Romeo and Juliet movie they deserve; Baz Luhrman’s 1996 take perfectly captured the edgy gloss of the MTV generation with its staccato editing and marrow-rich colours, while if nothing else, this new take for the social media generation captures modern youth in all of its openness, sensitivity, and yes, narcissism. ....