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Parker Jazz Club reopens its doors with stellar lineup this year; special event on Aug. 26 gratefulweb.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from gratefulweb.com Daily Mail and Mail on Sunday newspapers.
Jazz'SAlive will return to downtown San Antonio this fall with more stages sacurrent.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from sacurrent.com Daily Mail and Mail on Sunday newspapers.
Andre Hayward at the Skylark Lounge with the late Margaret Wright’s piano (Photo by David Brendan Hall) Standing onstage with saxophonist Elias Haslanger s local quintet, Andre Hayward preps for his moment. As the two men finish a harmonized riff on the bandleader s Smiley s Stairs, Hayward lifts his bell to the microphone to take the first solo. The trombonist sticks close to the melody at first, adding slight variations, before scattering flurries of notes that belie their creator s relaxed state. At the point it all threatens to veer too far outside, Hayward brings it back home, gracefully recasting the melody and setting up Haslanger s own break. Though there s no live audience, Hayward earns enthusiastic applause from his bandmates. ....
Of Kindred Souls (1993) Hayward doesn t solo on his recording debut, but he s integral to the three-part harmony powering the sublime melody. The Swing Association Say Something (1997) / digital single (2020) Only available in ones and zeros, Dre s Blues boasts an easy swing and a snappy bone solo that could come from 1947 as easily as 1997. SF Jazz Collective Live 2006: 3rd Annual Concert Tour (2006) Backed by an all-star lineup including vibist Bobby Hutcherson, Hayward produces a knotty bopper with a rowdy solo. SF Jazz Collective Live 2007: 4th Annual Concert Tour (2007) Hayward s second contribution to the Collective is a marvel of ensemble arrangement and in-the-pocket improvisation. ....
Bandcamp Alongside Austin s Dicks and Big Boys, Houston s Really Red proved as integral to early-Eighties American punk culture as Black Flag or Dead Kennedys. Lasting 1978-85, the aggregation of singer/frontman Ronnie U-Ron Bondage Bond, drummer Bob Weber, guitarist Kelly Younger, and bassist John Paul Williams rarely followed regulation punk templates. Old enough to recall Texas psychedelia on ramalama like Crowd Control, their trace elements of art-damaged funk and blues seeped into – from 1981 onward – the band s ballistic thrashing à la Bad Brains on tracks such as I Was a Teenage Fuckup. Meanwhile, Bond s lyrics engage race, sexuality, police brutality, and resistance to authoritarianism. ....