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Trailer Watch: Which film will you watch this weekend? thejournal.ie - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thejournal.ie Daily Mail and Mail on Sunday newspapers.
Billy Corben and Alfred Spellman talked to drug dealers and hitmen to make “Cocaine Cowboys.” When criminals get out of prison, they want to tell their stories to Corben and Spellman. The latest story in the franchise, “Cocaine Cowboys: The Kings of Miami,” hits Netflix Wednesday. Born and bred in Miami, Florida, director Billy Corben and producer Alfred Spellman grew up knowing a simple fact: Their city has been, and will always be, a sunny place for shady people. Whether it’s the refuge for retired mafia kingpins of the past, or the stomping grounds of infamous figures like O.J. Simpson and the late Jeffrey Epstein, The Magic City has never been able to shake its notorious reputation. ....
Bay Area Reporter :: Todd Stephens' 'Swan Song' of joy ebar.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from ebar.com Daily Mail and Mail on Sunday newspapers.
If the mayor of Sandusky, Ohio hasn t done so yet, he should definitely present gay filmmaker and native son Todd Stephens with a key to the city. Stephens has managed to make Sandusky, which Charles Dickens described as sluggish and uninteresting.something like the back of an English watering-place out of the season, somewhat captivating. He did so in David Moreton s beloved, queer 1996 flick Edge of Seventeen (for which Stephens wrote the screenplay), as well as his 2001 directorial debut Gypsy 83 and 2006 s over-the-top comedy Another Gay Movie. Swan Song (Magnolia Pictures). Inspired by a true icon (Pat Pitsenbarger, 1943-2012), Swan Song stars Udo Kier as Mr. Pat, the formerly famous hairdresser known for the magic he worked with a brush, a comb, and hairspray on the heads of the city s socialites. ....
Just when I start getting weary of the well-worn structure of the American Hollywood script rules â the inciting incident happens on page 10, make the hero more likeable, all these narrative procedures â French filmmaker Quentin Dupieux comes out with some wacky film that reminds me that you donât have to tell stories the same way. I can recall three times when a Dupieux joint was a much-needed breath of fresh air in the wake of too many hack American movies. You just donât see flicks like âRubberâ (sentient automobile tire turns evil), âWrongâ (the title is self-explanatory) and âDeerskinâ (a leather coat turns evil) every day. ....