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LACMA, Fowler feel pressure to return looted Benin bronzes

Print At least six sculptures, potentially as many as 19, stolen during an 1897 massacre by British colonists in Africa have been sitting quietly in two Los Angeles art museum collections for the past half-century. That status is likely to change. Pressure has been building for longer than a decade for the return of thousands of objects looted from the Royal Palace in Benin City, located in what is southern Nigeria. Repatriation of Benin art is as essential as restitution for art looted during the Holocaust, which this theft resembles. Britain’s invading imperial forces were after natural resources, especially the rubber and palm oil necessary for industrial expansion, when they targeted the palace. Mass murder at the seat of the Edo peoples’ nonindustrial African kingdom, together with the city’s virtual erasure, confiscation of its sacred relics and their triumphal display in Europe’s museums, carried with it a symbolic assertion of the superiority of Queen Victoria’s

What s shifting at Newfields, and in museums around the world

On Feb.14, 2021, urban planner Danicia Monet posted a link to an open letter on her Facebook page, with its primary demand that Newfields CEO and president Charles Venable step down from the position he had occupied at the museum since 2012. That he ultimately did step down was certainly a dramatic development, but it may also be part of a broader shift occurring in arts institutions across the country and around the world. Monet’s letter quickly gained 2219 signatures.  Those who signed the letter insisted Venable step down because of a Newfields job posting that sought a museum director who would be responsible for attracting a “broader and more diverse audience while maintaining the museum’s “traditional, core, white audience.” The job posting was widely perceived as insensitive and racist and generated national attention inside and outside the museum community.

Commentary: Two L A museums hold art looted during an African massacre a century ago

Commentary: Two L.A. museums hold art looted during an African massacre a century ago Christopher Knight © (Don Cole / UCLA Fowler Museum ) An 18th century belt mask by the Edo peoples is decorated with frogs. (Don Cole / UCLA Fowler Museum ) At least six sculptures, potentially as many as 19, stolen during an 1897 massacre by British colonists in Africa have been sitting quietly in two Los Angeles art museum collections for the past half-century. That status is likely to change. Pressure has been building for longer than a decade for the return of thousands of objects looted from the Royal Palace in Benin City, located in what is southern Nigeria. Repatriation of Benin art is as essential as restitution for art looted during the Holocaust, which this theft resembles.

Commentary: Two L A museums hold art looted during an African massacre a century ago

Commentary: Two L A museums hold art looted during an African massacre a century ago
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