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Tom Crowley pack his bags ‘Home, is it just a word? Or something you carry within you?’ is a philosophical musing from Morrissey, taken from the bridge of his 2017 song ‘Home is a Question Mark’. Now, this question and the title of the song may seem a little rich for most people who have lived through 2020 and will say that they know exactly what a home is, thank you very much. However, this is the central question to Chloé Zhao’s new film Nomadland, about a widow, Fern, played by Frances McDormand, who falls into America’s nomadic retiree subculture after the death of her husband and the loss of her job. She packs up in her humble campervan and hits the road taking seasonal jobs where she can. ....
Elaine Chung The opening minutes of a movie can be a make-it-or-break-it proposition. They’re like the first 50 pages of a novel. If the author hasn’t hooked you and reeled you in by then, well it’s time to move on to the next book on your nightstand. Of course, no one’s going to get up and walk out of a movie after ten minutes not when they’ve already forked over fifteen bucks. But a less than great start puts a director at a disadvantage. He or she has to win you back. I keep a list of movies with perfect openings filed away in my head, from tried-and-true classics like ....
CinemaBlend Copy to clipboard CinemaBlend participates in affiliate programs with various companies. We may earn a commission when you click on or make purchases via links. I think few would disagree that Frances McDormand is one of our greatest living actors. I also am inclined to believe that that same few have likely never seen a movie starring the acclaimed 63-year-old (who is also married to Joel Coen) and had no interest in seeing Nomadland until after it won Best Picture at the 2021 Oscars. Well, that being said, now seems like as good a time as any to bear witness to the best Frances McDormand movies on streaming or available to watch elsewhere, starting with the latest film to earn her praise from the Academy. ....
Elaine Chung The opening minutes of a movie can be a make-it-or-break-it proposition. They’re like the first 50 pages of a novel. If the author hasn’t hooked you and reeled you in by then, well it’s time to move on to the next book on your nightstand. Of course, no one’s going to get up and walk out of a movie after ten minutes not when they’ve already forked over fifteen bucks. But a less than great start puts a director at a disadvantage. He or she has to win you back. I keep a list of movies with perfect openings filed away in my head, from tried-and-true classics like ....