Review Gilles Deleuze In others, ile-de-france, france | Author In Others

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Gilles Deleuze

Others,

Ile-de-france,France - 0

November 5, 1995

Detailed description is Gilles Deleuze (January 18, 1925–November 4, 1995) was one of the most influential and prolific French philosophers of the second half of the 20th.
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Established in the recent years Gilles Deleuze in others , ile-de-france in france.


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Premises has a wide parking area and need to avail special permissions for parking.

Pets inside the premises are not allowed and require additional permission.

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They accept cards , cash and other modes of payments

Tips are not actually encouraged but customers are willing to offer any benefit as needed.

There you can find the answers of the questions asked by some of our users about this property.

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Qus: 1).what is the mode of payment accepted ?

Ans: Cash , Credit Card and Wallets

Qus: 2).What are the hours of operation ?

Ans: Open all days from 9:30 to 8:30 and exceptions on Sundays

Qus: 3).Do they have online website?

Ans: Yes . They do have. Online website is - Click Here

Qus: 4).What is the phone number Of the location?

Ans: Phone number of the location is - November 5, 1995

Qus: 5).What does the local business do?

Ans: Gilles Deleuze (January 18, 1925–November 4, 1995) was one of the most influential and prolific French philosophers of the second half of the twentieth century. Deleuze conceived of philosophy as the production of concepts, and he characterized himself as a “pure metaphysician.” In his magnum opus Difference and Repetition, he tries to develop a metaphysics adequate to contemporary mathematics and science—a metaphysics in which the concept of multiplicity replaces that of substance, event replaces essence and virtuality replaces possibility. Deleuze was also well-known for a number of important monographs he published in the history of philosophy (on Hume, Nietzsche, Kant, Bergson, Spinoza, Foucault, and Leibniz), as well as for his writings on the various arts, which include a two- volume study of the cinema, books on Proust and Sacher-Masoch, a monograph on the painter Francis Bacon, and a collection of essays on literature. Deleuze considered these latter works as pure philosophy, and not criticism, since he sought to create the concepts that correspond to the artistic practices of painters, filmmakers, and writers. In 1968, he met Félix Guattari, a political activist and radical psychoanalyst, with whom he wrote several works, among them the two-volume Capitalism and Schizophrenia, comprised of Anti-Oedipus (1972) and A Thousand Plateaus (1980). Their final collaboration was What is Philosophy? (1991). Deleuze is noteworthy for his rejection of the Heideggerian notion of the “end of metaphysics,” as well as the extent of his non-philosophical references (inter alia, differential calculus, thermodynamics, geology, molecular biology, population genetics, ethology, embryology, anthropology, psychoanalysis, economics, linguistics, and even esoteric thought); his colleague Jean-François Lyotard spoke of him as a “library of Babel.” Although it remains to be seen whether the 20th century will be “Deleuzean,” as his friend Michel Foucault once quipped, Deleuze's work has already enjoyed a considerable influence both inside and outside the contemporary academy; along with a growing influence in philosophy, Deleuze's work is approvingly cited by, and his concepts put to use by, researchers in architecture, urban studies, geography, film studies, musicology, anthropology, gender studies, literary studies and other fields. One of the barriers to Deleuze's being more well-read among mainstream philosophers is his writing style, which can be highly allusive, as well as peppered with neologisms; to make matters even more complex, these terminological innovations shift from one work to the other. While claims of intentional obscurantism are not warranted, Deleuze did mean for his style to keep readers on their toes, or even to “force” them to rethink their philosophical assumptions. As befits an encyclopedia entry, we will concentrate on the conceptual architecture of his thought, though readers should be aware that, perhaps more than with most philosophers, such a treatment of Deleuze's work removes much of the performative effect of reading the original. Works by Deleuze * (1953) Empirisme et subjectivité (Paris: PUF); tr. as Empiricism and Subjectivity, by Constantin Boundas (New York: Columbia University Press, 1991). * (1956) “La Conception de la différence chez Bergson,” Etudes bergsoniennes 4 (1956): 77-112; tr. as “Bergson's Conception of Difference,” by Melissa McMahon, in John Mullarkey, ed., The New Bergson (Manchester: Manchester University Press, 1999). * (1962) Nietzsche et la philosophie (Paris: PUF); tr. as Nietzsche and Philosophy, by Hugh Tomlinson (Minneapolis: University of Minnesota Press, 1983). * (1963) La philosophie critique de Kant (Paris: PUF); tr. as The Critical Philosophy of Kant, by Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1984). * (1966) Le Bergsonisme (Paris: PUF); tr. as Bergsonism, by Hugh Tomlinson and Barbara Habberjam (New York: Zone Books, 1988). * (1967) Présentation de Sacher-Masoch (Paris: Minuit); tr. as Masochism: An Interpretation of Coldness and Cruelty, by Jean McNeil (New York: G. Braziller, 1971). * (1968) Différence et répétition (Paris: PUF); tr. as Difference and Repetition, by Paul Patton (New York: Columbia University Press, 1994). * (1968) Spinoza et le problème de l'expression (Paris: Minuit); tr. as Expressionism in Philosophy: Spinoza, by Martin Joughin (New York: Zone Books, 1990). * (1969) Logique du sens (Paris: Minuit); tr. as The Logic of Sense, by Mark Lester with Charles Stivale (New York: Columbia University Press, 1990). * (1972) “A quoi reconnaît-on le structuralisme?” in Francois Châtelet, ed., Histoire de la philosophie, tome 8: Le XXe siècle (Paris: Hachette, 1972): 299-335; tr. as “How Do We Recognize Structuralism?” in Desert Islands (New York: Semiotexte, 2003). * (1964 [1970, 1976]) Proust et les signes (Paris: PUF); tr. (of 1976 ed) as Proust and Signs: The Complete Text, by Richard Howard (Minneapolis: University of Minnesota Press, 2003). * (1977) Dialogues (avec Claire Parnet) (Paris: Flammarion); tr. as Dialogues, by Hugh Tomlinson and Barbara Habberjam (New York: Columbia University Press, 1987). * (1981 [1970]) Spinoza: Philosophie pratique; (Paris: PUF); tr. as Spinoza: Practical Philosophy, by Robert Hurley (San Francisco: City Lights Books, 1988). * (1981) Francis Bacon: Logique de la sensation (Paris: Editions de la différence); tr. as Francis Bacon: Logic of Sensation, by Daniel W. Smith (Minneapolis: University of Minnesota Press, 2005). * (1983) Cinéma I: l'Image-Mouvement (Paris: Minuit); tr. as Cinema I: The Movement-Image, tr. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986). * (1985) Cinéma II: l'Image-temps (Paris: Minuit); tr. as Cinema II: The Time-Image, by Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1989). * (1986) Foucault (Paris: Minuit); tr. as Foucault, Sean Hand (Minneapolis: University of Minnesota Press, 1988). * (1988) Le Pli: Leibniz et le Baroque (Paris: Minuit); tr. as The Fold: Leibniz and the Baroque, by Tom Conley (Minneapolis: University of Minnesota Press, 1993) * (1990) Pourparlers (Paris: Minuit); tr. as Negotiations, by Martin Joughin (New York: Columbia University Press, 1995). * (1993) Critique et clinique (Paris: Minuit); tr. as Essays Critical and Clinical, by Daniel Smith and Michael Greco (Minneapolis: University of Minnesota Press, 1997). * (1995) “L'immanence: une vie,” Philosophie 47 (septembre 1), 3-7; tr. as “Immanence: A Life” in Two Regimes of Madness (New York: Semiotexte, 2006). * (2002) L'Île déserte et autres textes: textes et entretiens 1953-1974, ed. David Lapoujade (Paris: Minuit, 2002); tr. as Desert Islands and Other Texts (1953-1974), by Mike Taormina (New York: Semiotexte, 2003). * (2003) Deux régimes de fous: textes et entretiens 1975-1995, ed. David Lapoujade (Paris: Minuit); tr. as Two Regimes of Madness: Texts and Interviews 1975-1995 (New York: Semiotexte, 2006).