Page 3 - ஹெலன் ஷாபிரோ News Today : Breaking News, Live Updates & Top Stories | Vimarsana
Rolling Stone · Qual música dos Beatles tem participação secreta de um integrante dos Rolling Stones?
uol.com.br - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from uol.com.br Daily Mail and Mail on Sunday newspapers.
Thompson is still a restlessly curious, active musician, and a raucous one live: his shows often have the power and fervour of Nick Cave and the Bad Seeds. He’s worked with Werner Herzog and Wilco’s Jeff Tweedy, and kept busy in the pandemic, releasing two EPs (
Bloody Noses and
Live from London), and doing live streams from home for the Royal Albert Hall. An eight-CD box set compilation of all his work, including demos and rarities, with Linda,
Hard Luck Stories, was released in October; he also recorded a Christmas message for his local venue wearing a Santa hat.
Sounds of the kitchen sink: trad jazz and British cinema s new wave
theguardian.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theguardian.com Daily Mail and Mail on Sunday newspapers.
How Newcastle s La Dolce Vita nightclub was Tyneside s in-place during the Swinging 60s
La Dolce Vita nightclub on Newcastle s Low Friar Street attracted the punters and some of the biggest stars in showbusiness - before it fell into slow decline
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, the more it dawned on me that Billie Joe, despite the p-rock trappings, is really a power-pop guy and his choice of tracks to cover really underscores where his heart is.
When I spoke with Billie Joe, he confirmed my instinct about pop and punk being more closely aligned than many might think. Billie Joe is living proof of that theorem, illustrated perfectly as he walked me through the album’s tune stack.
It only makes sense that an album catalyzed by a pandemic should kick off with “I Think We’re Alone Now.” The song, written by Ritchie Cordell and an uncredited Bo Gentry, was a huge hit for Tommy James & The Shondells in 1967. The song’s narrative is truly cinematic. it’s a record you can, in a sense, see. It charted again 10 years later for Berkeley’s own power-poppers the Rubinoos (who are still at it, after more than 50 years) and again 10 years after that for the shopping mall-promoted ingenue Tiffany. Billie Joe’s version showed up during the early da
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