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Big-name speaker line-up to examine future of igaming at SBC Summit Barcelona
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Walmart Heir Pledges $100 Million for Conservation of African Parks
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DeepMind creates transformative map of human proteins drawn by artificial intelligence
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When the world shut down to the coronavirus pandemic in March 2020, Austin’s Fusebox Festival was just weeks away from happening.
Fusebox leaders did a quick pivot, staging a digital version of the performance art celebration, a popular annual event that presents a mix of international and local theater, music and dance artists.
But this year, for the first time in its 16 year history, the non-profit Fusebox organization, decided not to stage its springtime festival.
Ron Berry, Fusebox founder and artistic director said that the prospect of presenting what would have had to have been another virtual festival, just didn’t make sense. And besides, Fusebox has something else coming up that it’s been quietly working on for over three years.
ADVERTISEMENT Almost Like A Sculpture : Crystal Bridges design a work of art unto itself
Crystal Bridges’ design ‘a work of art unto itself’
by
Jocelyn Murphy
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Today at 1:00 a.m.
One can t talk about Crystal Bridges Museum without taking note of the architecture that, visit after visit, season after season, continues to amaze from every angle.
You also can t talk about the museum s core value of access to all without including architect Moshe Safdie s original vision for the facility. The design evolved as a complex that reaches out, Safdie said at the 2005 press conference announcing the museum proposal. Museums were exclusive, introverted buildings, and today s museum is a very different affair. It is for everyone.