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Art prizes are dead – today, it s gold stars for everyone
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A Hudson Valley art tour that skips all the usual stops
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The beverage program is led by the duo behind the cocktail consulting company You and Me Cocktails, Natasha David and Jeremy Oertel.
The 50-seat dining room is sophisticated, pretty and modern, with a cozy central fireplace, plush orange-red velvet sofas, and leather banquettes. An intimate wood-paneled bar with seven stools is behind the open kitchen.
There s a compact list of specialty cocktails, by-the-glass wine offerings and beers. The wine list has about 60 well-chosen bottles ($38 to $300).
Grab a bite: You can order anything you like from the Restaurant Kinsley menu.
Stay a while:
There are 10 rooms in the main building, with other rooms in four nearby buildings.
Joe Brainard for Loewe s New Menswear Collection
From blazing the 1960 s New York scene to writing a memoir, Joe Brainard now takes centre stage in a new collaboration with Loewe
Like the first winter crocuses, the bursts of bright floral pattern scattered throughout the Loewe AW 21 menswear collection brought joy to the grey, locked-down days of January 2021. Pansies, specifically: patched onto the collar of a flannel blazer; knit across every inch of jacquard two pieces; or tumbling in a print down the centre of a dramatic, triangular-flare trouser. These motifs were quotations from works by the Joe Brainard, an official collaboration with the late artist’s estate, taken from works such as the gouache
Breaking the Mould
A major new touring exhibition promises to shed light on the hidden histories of womenâs sculpture in the UK and worldwide. The Arts Council Collection, from which the exhibits are drawn, describes
Breaking the Mould: Sculpture by Women Since 1945 as âthe largest survey of its kind to dateâ. The show challenges the male-dominated narratives of post-war British sculpture, presenting work that pushes boundaries.
Aesthetica speaks to the showâs curator, Natalie Rudd, about this vital intervention in modern art history.
A: Why is this exhibition so important, thinking about the history of womenâs participation in sculptural movements in the UK and worldwide?
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