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Last modified on Fri 14 May 2021 06.41 EDT Grinning and bald, Jean Dubuffet leans comically over one of his little sculptures, a frangible little figure that looks like almost nothing at all. Here he is again, in one of the many photos of the artist that punctuate the Barbican’s exhibition, sitting in his studio surrounded by his painters’ paraphernalia, his pastes and concoctions. For all their wild galumphings, the boss-eyed grins and childlike caricatures, the lumps and excretions and strata-like accretions, Dubuffet’s paintings were the product of an ordered mind and an equally ordered studio. He may have wanted to give the impression that his art was produced in a state of laid-back amateurism, but it is belied by the professionally stretched canvases stacked-up behind him, their corners all nicely wedged, their heaving surfaces kept within their perfect rectangles. Even so, he delighted in the fact that bits of his paintings cracked and flaked and sometimes sli

France generalCity ofUnited kingdomJean dubuffetJacques lacanClaes oldenburgEva hesseHenri michauxAntonin artaudYves kleinRobert smithsonKeith haringLeon golubJean paulhanJean michel basquiatJackson pollock