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Seven cultural escapes in the UK | Apollo Magazine
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David Zwirner opens an exhibition of works by William Eggleston and John McCracken
Installation view, William Eggleston and John McCracken: True Stories, David Zwirner, New York, March 9 April 24, 2021. Courtesy David Zwirner.
NEW YORK, NY
.-David Zwirner is presenting an exhibition of works by William Eggleston and John McCrackenthe first time these two iconic American artists have been featured together. On view at the gallerys East 69th Street location in New York, True Stories places Eggleston and McCracken into dialogue around their expressive use of color and light, and their distinct versions of American vernacular culture.
Born within five years of one anotherMcCracken in Berkeley, California, in 1934, and Eggleston in Memphis, Tennessee, in 1939the two artists came of age outside of the dominant centers of the art world, internalizing the spaces and light of the American West and South. Working in sculpture and photography, respectively, each would go on to
Meet The Latest Shortlist For Trafalgar Square s Fourth Plinth Commission
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Share Enjoy Pub Life, Sculpture Parks, and Classic Estates on a Scenic Trip Through Yorkshire, England The wild windswept landscapes and industrial-age towns of Yorkshire, in northeastern England, might seem like an unlikely setting for a cultural and culinary groundswell, but the county is ripe for exploration. By Joshua Levine March 07, 2021
Editor s Note: Travel might be complicated right now, but use our inspirational trip ideas to plan ahead for your next bucket-list adventure. Those who choose to travel are strongly encouraged to check local government restrictions, rules, and safety measures related to COVID-19 and take personal comfort levels and health conditions into consideration before departure.
Alan Bowness was an art historian whose eye and influence shaped the British contemporary art world over more than 40 years. He never sought the limelight, but his quiet self-assurance and belief in his own convictions inspired confidence in others and made him the most persuasive and effective voice in a talented post-war generation of curators, writers and critics.
In the late 1950s and through the 60s and 70s, he was a pioneering academic and a friend to a generation of abstract artists in England, whose work he championed in print and in the many committees on which he served. In the 80s he became a more public figure as the director of the Tate Gallery, where he made important acquisitions for the national collection, achieved a resolution of the long-running debate about how to honour J.M.W. Turner’s magnificent bequest to the nation and established a new northern outpost for the gallery in creating Tate Liverpool. In the 90s and beyond, he continued his patronage as
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