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Remember When 1983: David Hayman gets on his bike for dual role at the Citz
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Why Did Scott got threatened by Kilmer demon predology ?
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Val Kilmer Documentary Val : Film Review
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Royal Lyceum Edinburgh/Pitlochry Festival Theatre
A NEW play by John Byrne, author of the Slab Boys trilogy and BBC Scotland’s Tutti Frutti, is an event in itself and in these times of woe he has achieved the impossible with his comedy Tennis Elbow, an audio play produced by Royal Lyceum and Pitlochry Festival Theatre.
Deploying his trademark narcissism, Byrne thinly disguises his own myth in that of Pamela Crichton Capers, who breezes through life, dashing off doggerel and pornographic novels before digesting “the skinny worm of Celtic art” and becoming a painter.
She turns to eccentric religious iconography, whose success in London is achieved when she passes it off as the devoted work of an ancient Mother Superior.
Brian Beacom JOHN Byrne has Zoomed into the room, and the first impression is the artist/writer certainly hasn’t surrendered to the sartorial ordinariness of a man born at the beginning of the Blitz. His traditional two-tone jacket, the louche silk scarf on neck still suggests a retired rock star, or a mid-20th century dandy. Byrne, thank goodness, still loves to dress to the tens. What’s missing, however, is the almost omnipresent roll-up which dangled from his lips like a limp, recently hanged man. And the Frank Zappa combed-back dark hair is now a soft silver shading, as is his goatee. Yet, still Byrne looks commanding. Defiant. Like a subject in search of an artist, a task he has often taken upon himself.