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Web Series Chakravyuh actor Prateik Babbar talk about his career and films

Web Series Chakravyuh actor Prateik Babbar talk about his career and films
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A documentary traces the journey of Assembly Rooms, the oldest cinema hall of Udhagamandalam

A documentary traces the journey of Assembly Rooms, the oldest cinema hall of Udhagamandalam Updated: Updated: March 13, 2021 17:49 IST A documentary throws light on the continuing legacy of Assembly Rooms, the oldest cinema hall in Udhagamandalam that occupies a pride of place in The Nilgiris Share Article Assembly Rooms theatre | Photo Credit: Special Arrangement A documentary throws light on the continuing legacy of Assembly Rooms, the oldest cinema hall in Udhagamandalam that occupies a pride of place in The Nilgiris Recently, the Assembly Rooms theatre, the oldest cinema hall in Udhagamandalam, screened the classic Mughal-e-Azam to the Governor of Tamil Nadu, Banwarilal Purohit, and his entourage. “It was an honour to host the screening,” says D Radhakrishnan, the honorary secretary, of hosting the Governor, in a docu-feature chronicling the theatre’s journey. Made by Mayanz Theatre, the 25-minute film highlights Assembly Room’s beginnings as a ballroom

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Prateik Babbar gets candid about his aspirations and journey in the film industry

Prateik Babbar gets candid about his aspirations and journey in the film industry Prateik Babbar, son of veteran actor and politician Raj Babbar and late Smita Patil, gets candid about his aspirations, and journey in the film industry as he gears up for the release of his new web show, Chakravyuh â An Inspector Virkar Crime Thriller Son of veteran actor and politician Raj Babbar and late actor Smita Patil, Prateik Babbarâs journey in the entertainment industry has been full of highs and lows. The actor, who made his Bollywood debut with Jaane Tu. Ya Jaane Na (2008), took a sabbatical in 2013 to focus on his health, following a battle with substance abuse. Post his stay at a rehab, he focused on bettering his craft by taking up an acting course at the Jeff Goldberg studio. He made a comeback in 2015 with the film Umrika. However, it was the Tiger Shroff-starrer Baaghi 2 that brought him back in the spotlight. Since then his career trajectory has been a mix of films and w

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EXCLUSIVE: I wanted to do it for my mother, my grandparents and for myself - Prateik Babbar on battling drug addiction : Bollywood News

); }); Bollywood actor Prateik Babbar , today, is a completely different man. Having successfully battled a drug addiction, the actor is now completely focussed on his work, fitness and family. He has an interesting line up of projects including Mumbai Saga, India Lockdown, Chakravyuh, and Bachchan Pandey.While things have turned better for the actor, he has never refrained from talking about his past. In a recent talk with Bollywood Hungama, Prateik spoke up about winning the battle against drug addiction. “The most important emotion for me was that I missed the craft. It was so emotional, that was what drew me back, the craft, the love from admirers and people who have seen me on screen and loved me and wanted to see more of me,” the actor said.

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Pandemic Conversations: Gender, Marginalities, and COVID-19

Pandemic Conversations: Gender, Marginalities, and COVID-19 We do not know if we live in a world any more risky than those of earlier generations. It is not the quantity of risk, but the quality of control or to be more precise the known uncontrollability of the consequences of civilisational decisions, that makes the historical difference. Therefore, I use the term “manufactured uncertainties.” The institutionalised expectation of control, even the leading ideas of “certainty” and “rationality” are collapsing. …the main difference between the premodern culture of fear and the second modern culture of fear is: in premodernity the dangers and fears could be attributed to gods or God or nature and the promise of modernity was to overcome those threats by more modernisation and more progress more science, more market economy, better and new technologies, safety standards, etc. In the age of risk, the threats we are confronted with cannot be attributed to God or nature bu

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