For the
Observer Magazine of 14 February 1993, David Spittles met the photographer Lewis Morley (‘The man who shot the Sixties’). ‘Morley was not famous in the 60s and he is not famous now,’ wrote Spittles, ‘living in relative obscurity in a modest house in Sydney. Yet possibly more than any other photographer, he captured the spirit of the time.’
Morley became the photographer of the 60s satire boom and met streams of models, pop stars, actors and artists at Peter Cook and Nick Luard’s Establishment Club in Soho. His pictures were not merely an album of the decade, they were ‘a poetic chronicle of the age’. His was the irreverent world of
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Sejarah Hari Ini: 10 Maret 1997, Berdirinya Kota Bekasi
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British comedy needs a new Brass Eye
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