The List: Stereoboard s Best Albums of 2020 Monday, 14 December 2020 Written by Stereoboard
Well, that was weird, wasn t it? 2020 will not be fondly remembered (aside from one particular bloke losing a big job) and 2021 is starting its race with some ground to make up, but as we locked down and stayed home the soundtrack was excellent at least. So much good music made its way into the world over the past 12 months, reminding us of what we have to cherish and also what we potentially have to lose. Here s our pick of the best of the best with a reminder: the artistic and creative industries cannot be allowed to wither and die. Support your local record shop. Support your local venues. Keep going.
CREDIT: Bandcamp/Christian Scott aTunde Adjuah
In 1969, folk trio Crosby, Stills & Nash recorded and released a cryptic chestnut entitled “Guinnevere.” The next year, two jazz masters tried their hands at the tune: flautist Herbie Mann emerging with a faithful instrumental cover, and trumpeter Miles Davis reinterpreting it as an intergalactic, unrecognizable epic that neared the 20-minute mark. For the live version appearing on
Axiom, New Orleans bandleader Christian Scott aTunde Adjuah is most interested in Davis’ vision of the song. Electric piano, sitar and a hepcat languor are out in favor of djembe, congas and a hothouse zest. Here, Adjuah who plays trumpet and reverse flugelhorn, among other instruments and his band condense “Guinnevere,” investing it with a pointed verve. The horns veer from woozy to celestial to frenetic, with Corey Fonville’s drums, in particular, elevating this music to new, daring heights. –
Since her first album, 2016’s
Midwest Farmer’s Daughter, Margo Price has often been positioned in outlaw country, flanked by comparisons to Bobbie Gentry and Loretta Lynn. But on her third LP,
That’s How Rumors Get Started, Price veers closer to classic rock and away from the honky-tonk that once echoed through the Nashville songwriter’s music. While her debut was charged with drinking tropes and her sophomore effort (2017’s
All American Made)
steeped in political consciousness,
Rumors focuses on the more vulnerable stories of touring life: being away from home, surviving relationships and the anxiety of stillness. Price is at her most stunning on the gospel-tinged confessional “Prisoner of the Highway,” in which she reflects on the cost of being an artist on the road while in love and starting a family. The same goes for power ballad “I’d Die For You,” where she parallels a soaring Stevie Nicks. A little bit of Nashville and Southern rock seems to ha