Quentin Tarantinoâs most recent film,
Once Upon a Time⦠in Hollywood, seemed to split audiences along generational lines. Despite its charms and Tarantinoâs customary flair, I came out of it frustrated and a bit bored, wondering if it was finally time to divorce this film-maker whoâd shaped the sense of cinematic possibility of anyone who grew up in the 1990s. Tarantinoâs essential shallowness, which in the past he has alchemised as aesthetic vitality, and his adolescent moral outlook had come to seem dismayingly inflexible: I didnât feel he could surprise me any more. But everyone a couple of decades older than me, who remembered the late 1960s televisual and cinematic golden-age Hollywood so lovingly elegised, seemed to adore the film.
Margot Robbie reveals the secret to keeping her lips moist
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Once Upon a Time in Hollywood Book Review – /Film
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El empoderamiento femenino de Margot Robbie cambiará el cine
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