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Van Morrison Evokes Antisemitic Trope With New Song They Own the Media | Jewish & Israel News Algemeiner com

Sir Van Morrison performs on stage at the British Summertime Festival in Hyde Park Featuring: Van Morrison Where: London, United Kingdom When: 13 Jul 2018 Credit: Neil Lupin/WENN Irish singer-songwriter Van Morrison debuted a new song on Thursday titled “They Own the Media,” evoking an age-old antisemitic trope and outraging many fans and critics. In the track, the 75-year-old rock and folk legend does not reveal who the pronoun refers to, but sings, “They control the narrative / they perpetuate the myth / Keep on telling you lies / telling you ignorance is bliss.” An official audio-only video for “They Own the Media” was posted on YouTube on Thursday, and had over 12,000 views by the following day.

Так и не дошел до суда: что стало с самарским музыкантом, который загрузил фото Гитлера на сайт Бессмертного полка

Так и не дошел до суда: что стало с самарским музыкантом, который загрузил фото Гитлера на сайт Бессмертного полка
samara.kp.ru - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from samara.kp.ru Daily Mail and Mail on Sunday newspapers.

Екатерина Гордон заподозрила Бузову в госпитализации после «передоза» на дне рождения Киркорова

Екатерина Гордон заподозрила Бузову в госпитализации после «передоза» на дне рождения Киркорова
bloknot.ru - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bloknot.ru Daily Mail and Mail on Sunday newspapers.

Van Morrison: Latest Record Project, Volume 1 review — a lesson in funnelling frustration

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Van Morrison: Latest Record Project, Vol 1

Open share drawer It’s a terrible night for a moondance: On this risible and intermittently lovely 28-song collection, Van indulges in some of his most cherished paranoid theories and deepest-held grudges. Five decades ago, an agitated 21-year-old Van Morrison recorded 31 original songs about missing royalty checks and ringworm, intended to fulfill the terms of what he judged to be an onerous record deal. Those 1967 recordings, known colloquially as the Contractual Obligation Session, were un-releasable by design: One track late in the running order is titled “Freaky If You Got This Far.” The Contractual Obligation Session was the first of many real and imagined revenges that Morrison would exact on the music industry over his storied career. The most recent of those revenges comes in the form of

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