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℘℘℘ “Semi-abstraction is the area that I feel happiest in, not pure geometry or pure abstraction or pure figurative representations, but rather the area in between,” explains sculptor Bernadette O’Huiginn. “I’ve always been attracted to the line of beauty, a sinuous, serpentine line. The significance of the curved line is very meaningful; there is something very deep in the human heart that responds to the curve as opposed to the straight line.” Birds on the Foam. In discussing works that have influenced her sculpture, she cites the omnipresent curves and rhythms of the La Téne period of Celtic Art. The La Téne period, so named for the town in Switzerland where remnants of this particular group of Celts were first discovered, spanned the second and third centuries B.C., and represented a time when Celtic art was flourishing. These migrating Celts brought to Ireland their curvilinear representational forms that were united with the long-standing pagan traditions

United statesDublin cityElizabeth martinSeamus heaneyBrian boruBernadette ohuiginnForeign serviceDublin national college of artAer riantaInternational visions galleryJohnf kennedy centerRoyal hibernian academyNational collegePerforming artsBernadetteo 039 huiginnIrish art