Boston Ballet closes its virtual season with four creatively produced premieres
The program shows âthe process of how we dealt with this year and how we want to move the art form forward,â says artistic director Mikko Nissinen
By Karen Campbell Globe Correspondent,Updated May 12, 2021, 1:16 p.m.
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Boston Ballet in Lex Ishimoto s What Happens If. Brooke Trisolini, courtesy of Boston Ballet
Boston Ballet winds up its first ever all-virtual season with a program that offers not only four filmed premieres created for the company, but also short documentaries featuring behind-the-scenes glimpses of the making of each piece. Titled âProcess & Progress,â the program is composed of new dances by acclaimed European choreographers Nanine Linning and Ken Ossola, both creating their first works for a North American company, plus pieces by genre-busting dancer/choreographer Lex Ishimoto and Boston Ballet principal dancer John Lam.
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The i 4 hrs ago Obi Jilani © Provided by The i Tiler Peck radiates joie de vivre (Photo: Geovanny Santillan)
Rarely is the genesis of a creative project as interesting as the completed work. But with William Forsythe’s
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Members of the San Francisco Ballet dance George Balanchine’s “Symphony in C.” Photo: Erik Tomasson
The San Francisco Ballet plans to be back in the War Memorial Opera House for a live 2022 performance season just in time to celebrate Helgi Tomasson’s 37th and final season as artistic director.
The new season, announced Thursday, May 6, is scheduled to open with a Jan. 27 gala and continue through May 8, 2022, with a series of seven repertory programs.
Tomasson’s “Harmony,” choreographed during the COVID-19 shutdown, is one of four in-person world premieres scheduled for the season, along with Cathy Marston’s “Mrs. Robinson” a dance take on “The Graduate” and new works by Christopher Wheeldon and Dwight Rhoden.
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