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Divide and Dissolve - Gas Lit review: earth-splintering tracks fusing heavy doom and drone metal

Credit: Press Listening to the opening minutes of Divide and Dissolve’s third full-length album ‘Gas Lit’ is like entering a concert hall where the orchestra has gone home, but the spectral sounds of their instruments being tuned still lingers around an empty chamber. Strange noises feel like they could have existed for centuries, waiting for a pair of ears to stumble upon them. Melbourne-based two-piece Divide and Dissolve – comprising of Takiaya Reed (saxophone, guitar, live effects) and Sylvie Nehill (drums, live effects) – have composed a remarkable listen across eight hair-raising, earth-splintering tracks of heavy doom, drone metal and desolate jazz, produced with Unknown Mortal Orchestra’s Ruban Nielson. Whilst honouring their respective Cherokee and Māori ancestries, ‘Gas Lit’ pines for a social utopia where white supremacy and colonisation in all of its guises has been fully dismantled.

DIVIDE AND DISSOLVE: Gas Lit Track by Track

OUTBURN ONLINE January 28, 2021 PHOTOGRAPS BY BILLY EYERS Divide and Dissolve members Takiaya Reed (saxophone, guitar, live effects/ (Black & Tsalagi [Cherokee]) and Sylvie Nehill (drums, live effects/ (Māori) create instrumental music that is both heavy and beautiful, classically influenced yet thrillingly contemporary, and powerfully expressive and communicative. It has the ability to speak without words, and utilizes frequencies to interact with the naturally occurring resonance. In anticipation of the multidimensional duo’s new album, Gas Lit, available on Invada Records, the band goes into detail behind the meaning of each track. TRACK BY TRACK ACCORDING TO THE BAND “Oblique” It is a privilege to work through trauma and feel supported in this work. “Oblique” is an acknowledgement that everyone experiences trauma. Everyone has different experiences with the narrative of trauma and their ancestors’ trauma. The end of the colonial project and white supremac

Divide and Dissolve - Gas Lit - Album Review

Liberatory, decolonial politics and enormous drone – Divide and Dissolve are the coolest thing to happen to metal since Deafheaven

Divide and Dissolve wield sonic extremes against white supremacy

Takiaya Reed and Sylvie Nehill of Divide and Dissolve talk new album ‘Gas Lit’, which was produced by Unknown Mortal Orchestra’s Ruban Nielson.

The Quietus | Reviews | Divide And Dissolve

Gas Lit Allan Gardner , January 25th, 2021 09:10 The new Divide and Dissolve album may be pitched at fans of James Baldwin, Octavia Butler, and Toni Morrison, but – whisper it – it is also a really good sludge record, finds Noel Gardner The particularities of how music, especially music without a large commercial platform, is listened to at present will undoubtedly ensure that some people will check out the new Divide And Dissolve album without knowing anything much about the band. They’ll find a powerful, impressively unconventional, predominantly instrumental suite, linking sludge and doom metal with a desolate reading of jazz. Should a listener find themselves content with that – let the music do the talking – that is of course their right, but it runs counter to how this Melbourne duo operate, and what confers much of their importance.

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