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Joan Didion: Substance and Style, Kathleen M. Vandenberg (173pp, SUNY) Apeirogon, Colum McCann (463pp, Bloomsbury) If you don’t stop to think, it’s easy to label Mark Dunford’s paintings as realist depictions of landscapes and still lives. But if you slow down and look properly you will realise that they are not realistic at all. They do engage with how things look, or are perceived, but they are as much about the act of seeing and re-presenting as what is or may be out there. Creek Evening, Spring Light, Mark Dunford, oils on panel, 26.5 x 59 cms The paintings evidence their construction: there are pencil grids and crosses, measured intervals and spaces, overpainting, simplification, angles and approximations. How does the light fall on this hill, how does the shadow or difference in tones create a line or shimmer over there, how to deal with the difference between daylight and dusk on the subject being studied?

Kathleenm vandenbergElizabeth reissnerColum mccannMark dunfordRupert loydellJoan didionTregony gallerySpring lightகோலம் ம்க்க்யாந்குறி டன்ஃபோர்ட்ஜோன் தீடிோன்வசந்த ஒளி