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Documentary reviews: Four tales of determined women digging deep
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Against the Current
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Indie Focus: A talent emerges in Spring Blossom
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Your summer movie cocktail of sun-dappled desire with a splash of bitter provocation over ice awaits with the welcome restoration of the 1969 French film “La Piscine.” It’s two hours of beautiful people in tantalizing states of undress and unease that might just have you practicing your most chic mysterious chaise longue poses ahead of your next swim party.
Its director, Jacques Deray, is not a name typically associated with the classic French cinema of his time. But in a journeyman’s career beginning in the early ’60s that emphasized personality-driven crime sagas, “La Piscine” and its pressurized sexual tension showed he could pull off something cool and stimulating, menacing and modern, as savvy about what courses underneath real lives as it is distractingly gleaming on its luxe, seductive surface. (Though little seen in the U.S., its reputation was enough to inspire a remake in Luca Guadagnino’s underappreciated 2015 film “A Bigger Splash.”)