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Mandy El Sayegh in her studio. Photo courtesy Lehmann Maupin. The Malaysian-born artist Mandy El-Sayegh’s large-scale, layered canvases, which are constructed from “found fragments” and call attention to a world in flux, have caught the attention of the art world in recent years. Her first solo exhibition in Seoul at Lehmann Maupin, titled “Protective Inscriptions” (through July 17), features “an immersive installation, combining painting and soundscape to activate a formless language of flesh and vibration,” according to the gallery. It also includes the everyday items that have become common in her work: old copies of the Financial Times, iconography from familiar advertisements, doodles, and pages of Arabic calligraphy taken from her father’s home in London.

Soult ukpyolsiSouth koreaCity ofUnited kingdomLehmann maupinMandy el sayeghDaniel tuttNatalie wynnBusan biennaleFinancial timesLee bulதெற்கு கொரியாநகரம் ஆஃப்ஒன்றுபட்டது கிஂக்டம்லெஹ்மன் மாபின்மண்டி எல் சயெக்