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Mona Lisa s smile isn t greeting visitors at the Louvre; a small army of artisans working overtime to complete restoration before reopening
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Mona Lisa s smile isn t greeting visitors at the Louvre; a small army of artisans working overtime to complete restoration before reopeningBy
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New York Times
Instead of waiting until Tuesdays the sole day that the Louvre used to close curators, restorers, conservators and other experts are pressing ahead five days a week to complete major renovations that had started before the pandemic and introduce new beautifications that they hope to finish by mid-February.
UK Buyers of Limited-Edition DS 7 Crossback Louvre Will Get Free Museum Access 24 Jan 2021, 9:35 UTC ·
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Musée du Louvre” (a.k.a. the Louvre Museum) is not only the world’s largest museum or a globally renowned historical monument of Paris, France. It turns out the folks running this landmark of the French capital are also keen observers of the automotive industry, given their association with DS Automobiles’ recent special series of the DS 7 Crossback. 79 photos
Not long ago, the premium automaker revealed the limited-edition DS 7 Crossback Louvre, a special series model created in partnership with the famous Parisian museum. The model was enhanced via the usual features that are to be expected in such cases – including a raft of bespoke styling upgrades. In addition, it also embodied “
My Rembrandt Review: An Alluring Documentary Portrait of People Who Own Rembrandt Portraits lmtonline.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from lmtonline.com Daily Mail and Mail on Sunday newspapers.
In Edward Hopper s early Paris paintings, reflections of today s strange, desolate cities
Kelsey Ables, The Washington Post
Jan. 14, 2021
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1of3When Edward Hopper painted Paris s iconic sights, his images were unsentimental. In Notre Dame, No. 2 (1907), Hopper cuts off Notre Dame s spire and paints the wall blocking the cathedral with more attention than the building itself.Photos by Whitney Museum of American Art/Josephine N. Hopper BequestShow MoreShow Less
2of3Edward Hopper s earliest paintings of the French city featured liminal spaces. In (Interior Courtyard at 48 rue de Lille, Paris) (1906), the drawn curtain reveals only darkness.Photos by Whitney Museum of American Art/Josephine N. Hopper BequestShow MoreShow Less