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Sarah Charlesworth, Herald Tribune: November 1977 (1977, printed 2008). © 1977 Sarah Charlesworth. Courtesy of the Solomon R. Guggenheim Museum, New York. “Fake news” will be a tempting aperture through which to approach “Off the Record,” a new group show at the Guggenheim that looks at the ways in which artists consider, critique, or otherwise manipulate “official” documents of history and state power.  It wouldn’t necessarily be wrong to take that tack. But it’s not what was on curator Ashley James’s mind as she organized the show her first since becoming the museum’s first full-time Black curator in 2019. “I’m less interested in speaking to the specificities of our contemporary historical moment than in thinking about a certain position in relationship to history as such,” she tells Artnet News over the phone. She pauses as construction noises from the show’s installation clang behind her.

New yorkUnited statesLyndonb johnsonJohn bergerAshley jamesSarah charlesworthSadie barnetteHank willis thomasTomashi jacksonBrigitte bardotLisa oppenheimSara cwynarCarrie mae weemsAdrian piperCourtesy of the solomonr guggenheim museumArtnet news