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Music (and crowds) start a comeback beneath the Big Sky Anna Paige BILLINGS Glowing blue against the stage lights, fans of Meg Gildehaus beamed with a special kind of delight, childlike almost, as they stood clustered in groups during the musician’s April 3 concert at the Pub Station. The concert was one in a series of socially-distanced performances that began in March. These concerts marked the first time the stage has been used since the pandemic forced the closure of the nation’s live entertainment venues more than a year ago. For Pub Station concerts, fans could purchase tickets in groups of four or six, and they were separated from others by metal fencing set in a U-shape. Such barriers, typically erected at the front of the stage to keep the massive crowds at bay, didn’t seem to matter when, after more than a year, a really loud rock concert was pumping through everyone’s bodies.

United statesSean lynchMeg gildehausTraci rosenbaumLaney louLena schifferAnn kosempaNational independent venue associationUs bureau of economic analysisPub stationGilda houseShuttered venue operators grantLive entertainment grantsBird dogsAlberta bair theaterJody grant