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Fierce All-Girl Teen Punk Band The Linda Lindas Fight Hate on Viral Racist, Sexist Boy

Fierce All-Girl Teen Punk Band The Linda Lindas Fight Hate on Viral ‘Racist, Sexist Boy’ Billboard 5/24/2021 The Linda Lindas There are a lot of things kids aren’t old enough to do, but one thing they absolutely can do is fight the power with guitars and righteous lyrics. That’s the tactic deployed by fierce four-person Los Angeles punk band The Linda Lindas, who have turned a raging performance at the L.A. Public Library into a cause célèbre that has landed them more than 340,000 views and, reportedly, a deal with legendary punk label Epitaph Records. The group consists of guitarist-singer Lucia, 14, an eighth grader (“Linda No. 3″); bassist-singer Eloise, 13, a seventh grader (“Linda Linda No. 2); fifth grade drummer-singer Mila, 10 (“Linda Linda No. 4); and guitarist-singer Bela, 16, a junior (“Linda Linda No. 1″). In the video for their song “Racist Sexist Boy” that blew up on YouTube recently, Mila and Eloise talk about how the song was inspired

Teen Band Goes Viral on Morello-Approved Song Racist Sexist Boy

Teen punk band The Linda Lindas have gone viral with the performance of their song Racist Sexist Boy, which Rage Against the Machine s Tom Morello called the song of the day on Twitter. The group played a 40-minute set at the Los Angeles Public Library at an event celebrating Asian American and Pacific Islander (AAPI) Heritage Month, tearing through six original tracks as well as two covers Bikini Kill s Rebel Girl and The Muffs Big Mouth. But it was their own song which garnered the most attention as the four-piece punk troupe, whose ages range from 10 years old to 16, confronted racism and misogyny head-on.

Epic memo to the Whitney on exclusion of Chicano art

Print Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, as well as the paper’s unofficial northern Peruvian cumbia ambassador, here with the week’s essential culture news. Making the Latino central Chon Noriega has led UCLA’s Chicano Studies Research Center, an academic hub that was launched in the late 1960s, and that has been key to archiving Chicano historical documents, producing original scholarship and publications, and commissioning oral histories of important artists, activists and political figures. After 19 years, he is stepping down from that role though he will remain as a professor in the department of film, television and digital media.

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