RadioU | Remedy Drive previews Imago Amor radiou.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from radiou.com Daily Mail and Mail on Sunday newspapers.
Posted by Stargirl Flowers on December 31, 2020 · view all posts
The Design of the Roland Juno oscillators
This article is a comprehensive guide to the Roland Juno s
digitally-controlled analog oscillators (
DCOs). I fell in love with the Juno early in my synthesizer journey and I ve spent the last year or so doing research on its design so that I could create my own Juno-inspired DCO, Winterbloom s
This article will cover a little history of the Juno, discuss the theory of operation behind digital-controlled oscillators, analyze the circuit designs for the Juno 6/60 & the Juno 106, and discuss practical aspects of using DCOs. This article is somewhat lengthy and there is a
Jaime Roos y Ruben Rada volvieron al vinilo con la reedición de sus discos esenciales tvshow.com.uy - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tvshow.com.uy Daily Mail and Mail on Sunday newspapers.
Arturia has released a holiday gift in the form of the classic Juno range BBD chorus effect. The new plugin, called Chorus JUN-6, is a re-creation of the bucket brigade delay chorus effect that was present in Roland’s Juno range, including the Juno-6, which Arturia recently added to their V Collection.
The sound became a staple go-to for wide pads and strings and is an iconic sound of the popular synth range. There have been other Juno chorus plugins, including the TAL-Chorus, as well as hardware re-creations of the chorus chip, like the TC Electronic JUNE-60.
Daniel Lopatin on making music in the “unbelievable psychic peril” of a pandemic The electronic producer Oneohtrix Point Never on isolation, the “cloaked insults” of reviews, and what Mark Fisher got right about time.
to discuss different schools of psychoanalysis
(“As a good Jungian…”) as he was his opinions on Thanksgiving dinner (“I don’t eat meat any more, but when I did, I felt that the dryness and the boringness of turkey was fundamental to the contrast with the mushy other stuff. I think turkey gets a bad rap”). This mingling of the high and the low – the serious and the playful, the profound and the trivial – is key to Lopatin’s musical output, too. The son of Russian-Jewish emigrants, Lopatin was born in Massachusetts in 1982 and grew up playing his father’s Roland Juno-60 synthesiser, now his trademark instrument. As Oneohtrix Point Never, a name that plays on 106.7, the dial setting of the Boston radio station he listened to in hi