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Danielle Rowe tackles the blinding lures of fame in S F Ballet s Wooden Dimes
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Grand Designs labelled fraudulent : Disasters, divorce, budget blow-outs not the norm, say architects
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5. Best for food: Crete
Crete’s southerly location gives it the longest growing season in Greece, and it produces a surfeit of edible delights – you’ll even find avocados and bananas.
Heidi Fuller-Love says: Variety is the spice of life on the largest Greek island. Crete, home of the Minotaur legend and birthplace of Europe’s first evolved society, is a vivid and sensual mosaic of contrasts: from lofty mountains and pink-sand beaches, to buzzing nightlife and traditional kafeneions (coffeehouses). Standing at the crossroads of three continents, the atoll described by Homer in his Odyssey as ‘a fair land. in the midst of the wine-dark sea’ has been invaded countless times over the centuries. The traces of successive invasions can be found in Turkish bathhouses, Venetian fortresses, and Byzantine architecture.
Rachel Howard February 11, 2021Updated: February 12, 2021, 7:13 am
The San Francisco Ballet in the world premiere of Myles Thatcher’s “Colorforms.” Photo: Ezra Hurwitz, San Francisco Ballet
Are audiences attracted by frenzied glamour and urgent escapism in these pandemic-beleaguered early days of 2021? That’s what San Francisco Ballet’s advertising has mostly served up, with tense music and all-caps headlines touting “world class ballet” brought to your living room.
Fortunately for those of us needing relief from such intensity, the mood is quite different in Myles Thatcher’s new ballet, “Colorforms,” which premieres as part of the Ballet’s digital Program 2 on Thursday, Feb. 11, and shoots off the screen like a ray of sheer, unforced pleasure.
Rachel Howard January 26, 2021Updated: January 26, 2021, 7:38 pm
RAWdance co-director Katerina Wong (center). Photo: Elena Zhukova
When RAWdance Co-Artistic Director Katerina Wong’s dance “The Healer” was first set to premiere almost one year ago, it was to be an immersive sensory experience. Choreographed to honor Wong’s aunt, a registered nurse who also practiced traditional Chinese medicine, “The Healer” was designed to have the audience walk into ODC Theater alongside the dancers, welcoming all with incense blown by paper fans, and inviting viewers to take deep qigong breaths in their shared space.
But a week before opening night, COVID-19 shut down San Francisco. Six months later, when RAWdance regrouped to see what the company might present online in 2021, “The Healer” which had been one of three world premieres scheduled on that scuttled 2020 program stood out as the dance to resurrect in this new moment.
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