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Wandering Eye: As Seen on TV - The Magazine Antiques

Wandering Eye: As Seen on TV - The Magazine Antiques
themagazineantiques.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from themagazineantiques.com Daily Mail and Mail on Sunday newspapers.

When Rembrandt met an elephant

When Rembrandt met an elephant Hansken’s skull and other items on display in the exhibition “Hansken, Rembrandt’s Elephant” at the Rembrandt House in Amsterdam, Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. Julia Gunther/The New York Times. by Nina Siegal (NYT NEWS SERVICE) .- In Rembrandt’s 1638 etching “Adam and Eve in Paradise,” there are two symbols of good and evil. A dragon hovers over the couple as they contemplate the forbidden apple, representing the danger of temptation. And in the background, a little, rotund elephant romps in the sunlight, a sign of chastity and grace. The meaning of these symbols, while obscure today, would have been recognizable in 17th-century Europe.

Corrections: July 17, 2021

Corrections: July 17, 2021 July 16, 2021 METROPOLITAN A cover article this weekend about co-working spaces misspells the surname of the chief executive of The Wing. Her name is Lauren Kassan, not Lauren Kasan. ARTS A television review on Friday of “Schmigadoon!” misidentified the actor who plays the husband of Kristin Chenoweth’s character. He is Fred Armisen, not Alan Cumming. An article on Friday about “Hansken, Rembrandt’s Elephant,” an exhibition at the Rembrandt House Museum in Amsterdam, referred imprecisely to the food in the biblical story of Adam and Eve. It was a forbidden fruit, not a poisoned apple. ARTS & LEISURE An article this weekend on Page 6 about the ballerina Georgina Pazcoguin misstates one of her distinctions. She was New York City Ballet’s first female Asian American soloist, not the first Asian American soloist.

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   A black chalk drawing by Rembrandt, most likely from 1641, at the Rembrandt House in Amsterdam, Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. Julia Gunther/The New York Times. by Nina Siegal (NYT NEWS SERVICE) .- In Rembrandt’s 1638 etching “Adam and Eve in Paradise,” there are two symbols of good and evil. A dragon hovers over the couple as they contemplate the forbidden apple, representing the danger of temptation. And in the background, a little, rotund elephant romps in the sunlight, a sign of chastity and grace. The meaning of these symbols, while obscure today, would have been recognizable in 17th-century Europe. The dragon Rembrandt drew was a figment of his imagination. But the elephant looks surprisingly true to life. How did Rembrandt, who never traveled outside the Netherlands, know what an ele

Your Friday Briefing

Your Friday Briefing Image Heavy rains and floods lashing western Europe have killed at least 42 people in Germany and left many more missing, as rushing waters caused houses to collapse.Credit.Ina Fassbender/Agence France-Presse Getty Images Hundreds missing in Europe flooding Flooding caused by violent storms yesterday in Western Europe left at least 69 dead, including two firefighters who died during rescue attempts, in Germany and Belgium. At least 1,300 people remained missing as of last night, according to the German authorities. Swift-moving water from swollen rivers has surged through three western German states. In the center of Liège, Belgium, the Meuse River overflowed its banks, forcing inhabitants to evacuate. The storms also battered Switzerland and the Netherlands.

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