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Immersive RYOJI IKEDA exhibition opens this May at 180 The Strand
A multi-sensory exploration of light and sound.
Fact and The Vinyl Factory, in collaboration with Audemars Piguet Contemporary, present a new RYOJI IKEDA exhibition in 180 Studios, 180 The Strand opening this May.
The largest exhibition of the artist’s work ever staged, including numerous world premieres, RYOJI IKEDA invites viewers to immerse themselves in Ikeda’s dynamic digital universe. A subterranean exploration of sound and light, the show takes viewers on a sensory journey through 180 Studios’ labyrinth-like spaces.
The 12 artworks include the world premiere of Ikeda’s
data-verse trilogy – a towering, triple-screen immersive project commissioned by Audemars Piguet Contemporary, and a site-specific, synapse-splitting new iteration of
Audrey Teichmann and Denis Pernet. Photos courtesy Audemars Piguet.
In these turbulent times, creativity and empathy are more necessary than ever to bridge divides and find solutions. Artnet News’s Art and Empathy Project is an ongoing investigation into how the art world can help enhance emotional intelligence, drawing insights and inspiration from creatives, thought leaders, and great works of art.
Fine watchmaking and the arts have a long parallel history. In great examples of both, craft, history, and specific absorbing details take center stage, producing strong emotional reactions in art and watch lovers alike.
The Swiss luxury watch house Audemars Piguet one of the oldest watch companies in the world, established by Jules Louis Audemars and Edward Auguste Piguet in 1875 has for many years run an art program, Audemars Piguet Contemporary, that exists separately from its watchmaking initiative, aiming to support artists from around the world in their endeavors to i
Last modified on Wed 30 Dec 2020 23.18 EST
As the old saying goes, or perhaps it was Belinda Carlisle, âHoney, leave a light on for me.â
During Hobartâs lockdown, the Museum of Old and New Art (Mona) did just that with âspectraâ â Ryoji Ikedaâs 15km tower of white light. A semi-regular fixture at the museum, now it loyally pierced the sky every Saturday night. Hobartians could see it from their windows, the weekly transmission of a message that might be pitched somewhere between âwe come in peaceâ and that of the âhang on in thereâ kitten.
Writing in the Mercury newspaper in April â after a Covid outbreak in Tasmania that forced 5,000 people into 14-day quarantine â Mona owner David Walsh explained âhope needs a beaconâ.
Fact relaunches print magazine with Ryoji Ikeda, Kelsey Lu, Pan Daijing, Kahlil Joseph in first issue
The magazine is available to buy now ahead of Ikeda’s new immersive, multi-work show at 180 The Strand.
Fact is pleased to announce its return to print as a new large format bi-annual magazine, beginning with the launch of the 280-page A/W 2020 issue this November. Featuring art direction by Zak Group, the issue spans four covers: Kelsey Lu, Ryoji Ikeda, Pan Daijing and Kahlil Joseph.
Included in the issue is an extensive, career-spanning interview with Ryoji Ikeda by Ralph Rugoff; Kelsey Lu interviewed by Kimberly Drew and photographed by Campbell Addy with cover illustration by Lu’s father Jerry McJunkins; Pan Daijing interviewed by Thea Ballard and photographed by Matt Lambert; and an exclusive ‘artistic intervention’ from Kahlil Joseph inspired by his