When somebody in a white coat tells you something you don’t want to hear, it’s easy to decide they’re full of beans especially when nothing seems amiss. That's how Fred Hutch writer Diane Mapes felt when she was diagnosed with cancer. And how many have responded to the pandemic. But whether it's cancer or COVID-19, trust in science is key.
Last modified on Fri 19 Feb 2021 00.26 EST
Mektoub, My Love: Intermezzo
There have been many notable nightclubs in film history. The Blue Angel in the Marlene Dietrich movie; the Copacabana in Goodfellas, accessible to privileged wiseguys via the kitchen; the Slow Club in Blue Velvet, with the emotionally damaged star turn Isabella Rossellini singing the song of the same name.
But the most staggering nightclub scene has to be in the 2019 film Mektoub, My Love: Intermezzo, by the prize-winning director Abdellatif Kechiche. It is a sequel to an earlier film, about sexually charged goings-on in the French seaside town of Sète.
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