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Aesthetica Magazine - The Makings of Modernity

The Makings of Modernity When Alexander Calder (1898-1976) moved back from France to his native US in 1933, his vision coloured by the post-Cubist and De Stijl iconography he witnessed in Paris, it was just in time to cement a relationship with a newly formed gallery in Manhattan. The Museum of Modern Art had opened its doors in November 1929, initially occupying the upper stories of an office building on Fifth Avenue – it would shift locations several more times before 1939, when its famous Goodwin and Stone headquarters was completed. In its inaugural year, the gallery displayed a combination of work by modern European masters and the new Precisionist-era American painters, from Charles Demuth to Georgia O’Keeffe. Calder, who had taken inspiration from Piet Mondrian and Joan Miró, seemed to synthesise the styles and schools the new museum wanted to champion.

How Calder transfixed Albert Einstein and Sartre – The Forward

As a teenager I would often mistake Alexander Calder’s work for that of Joan Miró and sometimes even Picasso. Bold, playful and abstract, the sculpture of these three art giants appeared interchangeable. Visits to Fundació Joan Miró in Barcelona and Musée Picasso in Paris only seemed to confirm Calder’s European influences, even though the darker elements at play in their work seemed absent from his own. Being introduced to the wire lion tamers and acrobats in his “Cirque Calder” several years ago in the lobby of New York City’s Whitney Museum, at that time in Marcel Breuer’s brutalist edifice, reinforced that European connection. It also reminded me of another: Calder’s enormous, red “Flamingo” in front of Mies Van der Rhoe’s Kluczynski Federal Building in Chicago.

Emmelyn Butterfield-Rosen on Félix Fénéon - Artforum International

Emmelyn Butterfield-Rosen on Félix Fénéon - Artforum International
artforum.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artforum.com Daily Mail and Mail on Sunday newspapers.

Mabel Wilson: Architecture s whiteness by design can change

Mabel Wilson: Architecture s whiteness by design can change
latimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from latimes.com Daily Mail and Mail on Sunday newspapers.

In-depth: How the pandemic caused more food insecurity in the Tampa Bay area

In-depth: How the pandemic caused more food insecurity in the Tampa Bay area 1 million people in Tampa Bay are food insecure Feeding Tampa Bay looks back on historic year and last updated 2021-03-15 18:00:12-04 DADE CITY, Fla. — It’s been a year since the pandemic began and it’s been tough for thousands of people in the Tampa Bay area just to get by, especially when it comes to putting food on the table. ABC Action News in-depth reporter Anthony Hill spoke with people who had to reach out for help and one local organization that has been providing the food that’s desperately needed in our communities.

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