The First Art Newspaper on the Net
by Doreen Carvajal
(NYT NEWS SERVICE)
.- For more than 70 years, Léone Meyers family has fought to reclaim a looted painting, and yet she cannot bear the thought of displaying it in her Left Bank home, across from the River Seine. The small work, by Camille Pissarro, shows a shepherdess tending her flock, and hangs not far away at the Musée dOrsay, with other precious French impressionist paintings. But the peaceful countryside scene from 1886 is fraught with a backstory of plunder, family tragedy and legal battles that stretch from Paris to Oklahoma. Meyers mother, grandmother, uncle and brother died in Auschwitz. Her father hid the painting in a French bank that was looted in 1941 by the Nazis, and the work vanished in the murky universe of art market collaborators and middlemen. Decades later, in 2012, she discovered the whereabouts of La Bergère, or Shepherdess Bringing in Sheep, in the Fred Jones Jr. Museum of Art, at th
Slotin Folk Art Auction announces results of November Self-taught Masterpiece sale
Bill Traylor, Four Figures and a Basket in Blue, 1940-42, graphite, tempera and conte crayon on found cardboard, price realized: $105,000. Slotin Auction image.
BUFORD, GA
.-Slotin Folk Art Auction s Self-Taught Art Masterpiece Sale on Nov. 14 was one of the auction houses most successful in nearly three decades of conducting sales, with total revenues of $1.48 million.
That is especially remarkable given that Slotin, adjusting to doing business amid the COVID-19 virus, changed from its usual practice of auctioning roughly 1,000 lots in a two-day sale, with bidders overflowing the auction hall, to a 400-lot single-day online auction via Live Auctioneers.