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New Tech Reveals Origin Of Egyptian Mummies Skin Color

New Tech Reveals Origin Of Egyptian Mummies’ Skin Color Just how much can you learn from the color of a person’s skin? Well, in the case of Egyptian mummies, it is now turning out to be quite a lot. Researchers have worked out a non-intrusive way to map the origins of ancient Egyptian embalming materials, and the composition of the substance that causes deep black coloration of many mummies’ skin is now revealing hitherto unknown geographic data. The study does not say whether these Egyptians were or were not dark skinned naturally, that’s another debate, but according to the latest high-tech analysis, many Egyptian mummies’ deep black skin color not only comes from tar but we now know where that tar came from.

A non-destructive method for analyzing Ancient Egyptian embalming materials

 E-Mail IMAGE: Researchers analyzed embalming material from the neck of this Ancient Egyptian mummy, which was acquired by a French museum in 1837. view more  Credit: Frédérique Vincent, ethnographic conservator Ancient Egyptian mummies have many tales to tell, but unlocking their secrets without destroying delicate remains is challenging. Now, researchers reporting in ACS Analytical Chemistry have found a non-destructive way to analyze bitumen the compound that gives mummies their dark color in Ancient Egyptian embalming materials. The method provides clues to the bitumen s geographic origin and, in one experiment, revealed that a mummy in a French museum could have been partially restored, likely by collectors.

French conservation laboratory uncovers secrets of Modigliani s most complex work

France s national museums laboratory has conducted a forensic study of every Modigliani painting and sculpture in the country s public collections. Antonia (around 1915) has emerged as the most complex of all © Centre de Recherche et de Restauration des Musées de France/Gérald Parisse The results of a two-year forensic study of all the works by Amedeo Modigliani in French museums are to be revealed at an exhibition opening at the Lille Metropolitan Museum of Modern Art (Lam) on 19 February. The project, a collaboration with the French national museums’ laboratory C2RMF, has scrutinised 27 paintings (including two copies) and three sculptures from 11 public collections. The only other artist to have previously merited such an undertaking in France is Vincent Van Gogh in 1999.

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