Sun 14 Mar 2021 04.00 EDT
James Waddell lives in London, and writes about art, theatre, the early modern period, and the intertwined histories of ideas, books, libraries and emotions. He is a PhD student at UCL, where he is researching distraction in 16th-century literature
As much as I’ve missed theatres this past year, watching an online recording of the Almeida’s 2019 production of
Duchess of Malfimakes clear one reason for shutting them. Flecks of thespian spittle sail across my laptop screen in high definition, unforgivingly captured by close-up shots and stage lighting. Contemplating the gob and mist projected alarmingly across the stage with each pronunciation of a plosive “p”, I remember seeing the play live last January, and shudder at my reckless acceptance of the offer of a third-row seat.
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