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Делегација на ЕУ: Отворени два нови центри Европска куќа

Делегација на ЕУ: Отворени два нови центри Европска куќа
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Review: Fierce Poise, on Helen Frankenthaler and the 1950s

By Alexander Nemerov Penguin Press: 288 pages, $28 If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees support independent bookstores. The cover of “Fierce Poise,” a new biography of the painter Helen Frankenthaler, features a famous photograph of the artist, shot by Gordon Parks, from a 1957 article in Life magazine on “Woman Artists in Ascendance.” Frankenthaler appears “pouty, confident, and serene,” writes Alexander Nemerov, her latest biographer. “She likely understood nearly as well as Parks how to craft an image exactly for the magazine’s massive target audience.” Frankenthaler is also the cover girl for Mary Gabriel’s brilliant group biography of the women of Abstract Expressionism, 2018’s “Ninth Street Women” (soon to be adapted by Amy Sherman-Palladino for Amazon). Gifted with privilege and connections and unashamed to use them, Frankenthaler put her image to work and was criticized for it. “Easy

8 major players behind Amanda Gorman gigs, book adaptations

Book-to-screen deals are reported by the Hollywood trades in pieces that dutifully mention the novelists, directors and actors involved but often leave out the people who actually made it happen the agent or manager who hooked up the players, the producer who optioned it years ago, the book scout whose secret source shared the proposal before book publishers had even seen it. Below are a few of Hollywood’s most important behind-the-scenes movers, shakers and connection-makers agents, scouts, managers and execs. Not all of them toil in obscurity, but each contributes mightily to the adaptation process that puts all those pages on the screen.

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