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Nearly 40 Mediterra homesites await London Bay Homes designs

Nearly 40 Mediterra homesites await London Bay Homes designs Gravina, Smith, Matte & Arnold Marketing and PR, Special to Naples Daily News © Submitted The Mallory will be move-in ready in April 2021 and available for $1,866,000. With a choice of nearly 40 available homesites and an exceptional collection of award-winning homes by London Bay Homes, Naples homebuyers can create the home of their dreams in Mediterra, Naples’ 12-time Community of the Year. Within Mediterra’s distinctive neighborhoods, homebuyers can recreate their preferred London Bay home design with the builder’s signature coastal-influenced architecture, grand floor plans and expansive outdoor living areas. And with move-in ready homes underway in the Caminetto, Lucarno and Cabreo neighborhoods starting from $1.8 million, homebuyers can take advantage of an expedited building process and access to the London Bay Homes’ Selection Studio for their choice of preferred flooring, fixtures,

A Christmas Carol review: If ever there was a theatre production to experience live, this is it

Rating: Streaming until February 28, 50mins              originaltheatreonline.com Rating: This streamed version of A Christmas Carol, which has been The Old Vic’s sell-out Christmas show every year since 2017, is back with Andrew Lincoln (The Walking Dead and This Life star) playing Scrooge. The bearded Lincoln cuts a dash. The trouble is, to convince us that he is an unswayable misery, he continually shouts. It’s a tad exhausting. The real star here is Matthew Warchus’s heart-melting production, which I remember filling The Old Vic with flying fruit and veg and its audience – now sadly missing – munching mince pies. The split-screen editing here is slick, and a hatful of carols and handbells makes a Dickens of a racket. The three ghosts of Christmas are played by women and the childhood of Scrooge is a full psychodrama, with an expanded role for Ebenezer’s cruel dad. 

Beaver County woman advocates for the disabled; state title gives her the platform

Mandy McCoy wants you to listen. She knows that you will look. That you will see her wheelchair and how her fist steers the stick that makes it stop or go. That you might notice that her head wobbles a tad to the right, but maybe not because her smile is big and blushed with joy when her blue-green eyes meet yours. Mandy wants people to look into her eyes. “That tells me that you respect me,” she said. For that, she is grateful because respect she knows is earned, more so when your body can’t move the way it should, and especially when the muscles in your mouth can’t keep pace with the train of thoughts in your mind.

Review: A Remarkable Turn by Walking Dead s Andrew Lincoln in A Christmas Carol

(© Manuel Harlan) Often times watching online theater can feel like a consolation prize – rather than reveling in the story you re seeing unfurl, you re reminded over the course of two hours just how much has been made impossible by the pandemic. It takes a special show to overcome this rather hefty obstacle and deliver a genuine sense of wonder through pixels rather than dynamic, live entertainment – many have tried and fallen short, especially in the UK where the ability to get casts on stage together seems slightly more feasible. One production on its feet is London s Old Vic s A Christmas Carol, which wowed Broadway audiences during its 2019 festive run (remember Christmas 2019? When we could hug our family?) – going on to pick up a string of Tony Award nominations earlier this autumn. Director Matthew Warchus brings it back for its fourth spell at London s Old Vic theatre – but this time without any audience members except a panoply of silent technicians (one stage

Flywheel Energy contributes to CAPCA Student Market

Flywheel Energy contributes to CAPCA Student Market
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