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Above:The Three Soldiers, by Pieter Bruegel the Elder, from the Frick Collection in New York. I’ll admit it: I fled New York for Florida’s empty beaches in the earliest days of the pandemic. My Brooklyn apartment is tiny. As an art writer and consultant, I am hardly ever home under normal circumstances. Going to galleries and museums is more than an aesthetic pursuit to me; they’re a place to meet friends, and where I go to be alone. They are the living room I do not have. Since last March, the art world has bent over backward to bring itself online, and this has caused all of us to ask what it is we really value from art. Struggling museums now rely on detailed photography and virtual tours to accompany their physical shows, sometimes charging a fee to viewers. Meanwhile, galleries which are really just small, free museums have built bespoke virtual viewing rooms and even staged online-only shows, some with high-production introductions from the artists akin to music vide

New yorkUnited statesWhitney museum of american artLeah dickermanAstrup fearnley museetDan durayDavid zwirnerAngela davisJosh smithHauser wirthMarc payotJulie mehretuMuseum peter saulThree soldiersPieter bruegelFrick collection