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A strange turn occurs toward the middle of Frederick Seidel’s 2009 Paris Review interview. The poet, whom Adam Kirsch once deemed the best in the United States, describes himself as coming late to an appreciation of New York School poets James Schuyler and Frank O’Hara. Until this point in the conversation, Seidel’s distinctive sensibility snapped into place commensurate with his biography. His patrician vocabulary and profoundly conservative sense of rhyme and meter gestured toward his Harvard education and his Sorbonne classes at midcentury. Visits to Ezra Pound in 1953 (who at the time was institutionalized and warding off a treason charge for his radio broadcasts in support of Hitler and Italian fascism during World War II) and T.S. Eliot (a fellow St. Louis native who, through talent and a penchant for self-invention, acted out an Anglophile’s version of what a poet should be) taught Seidel that achievement didn’t lie solely in a moralist’s idea of virtue and that

New yorkUnited statesAmerican museum of natural historyUpper west sideFrance generalWilliam styronRichard poirierNathaniel mackeyNorman mailerArnold toynbeeRita doveJohn ashberyJames schuylerRobert lowellElizabeth bishopFrederick seidel