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The First Art Newspaper on the Net
by Jean-Louis De La Vaissiere
PARIS
(AFP)
.- A French journalist s investigation into the alleged forgery network around art collector Giuliano Ruffini has also criticised the great negligence of art world experts. The doubts first became public when French police seized a painting owned by the prince of Liechtenstein from an exhibition in Aix-en-Provence in 2016. The prince had paid seven million euros at auction for the portrait of the goddess Venus by 16th century Italian painter Lucas Cranach, yet tests would soon reveal that the pigments used in the painting dated from the 20th century. Ruffini was well-known in the art world. Since the 1990s, he had sold dozens even hundreds of paintings by such luminaries as Parmigianino and El Greco to some of the great museums of Europe, including the Louvre, often through intermediaries. Many, he said, had come from the collection of an ex-girlfriend s father, Andre Borie, a civil engineer
Beeple, in a stand alone online-only sale open for bidding from February 25 - March 11, coinciding with First Open | Online. This sale marks the first time that a purely digital NFT (Non-Fungible Token) based work of art has ever been offered by a major auction house, signifying an important milestone in the development of the market for digital art. Given that this is a new medium for Christieâs, the estimate forÂ
The First 5000 Days will be listed as âunknown.â Bidding will open at $100.Â
VisitÂ
 for additional information.
DETAIL: Beeple, Everydays â The First 5000 Days, NFT, 21,069 pixels x 21,069 pixels (316,939,910 bytes) Estimate Unknown. Starting Bid: $100
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The First Art Newspaper on the Net
NEW YORK, NY
.- The New Museum is proud to present Grief and Grievance: Art and Mourning in America, an exhibition originally conceived by Okwui Enwezor (1963-2019) for the New Museum, and presented with curatorial support from advisors Naomi Beckwith Massimiliano Gioni, Glenn Ligon, and Mark Nash. On view from February 17 to June 6, 2021, Grief and Grievance is an intergenerational exhibition bringing together thirty seven artists working in a variety of mediums who have addressed the concept of mourning, commemoration, and loss as a direct response to the national emergency of racist violence experienced by Black communities across America. The exhibition further considers the intertwined phenomena of Black grief and a politically orchestrated white grievance, as each structures and defines contemporary American social and political life. Included in Grief and Grievance are works encompassing video, painting, sculpture, installat