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Rage burns steadily throughout must-see show, a First Nations right of reply
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First Nations right of reply in History Bites Back
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History Bites Back - Trisha Moreton-Thomas, Stephen Oliver and Elaine Crombie.
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A rage burns steadily throughout
History Bites Back, filmmaker and actress Trisha Morton-Thomas’ funny and confronting “right of reply” to the ignorance about Indigenous history perpetrated on social media, especially around January 26. As the narrator to camera responding to social media posts, including one claiming that Aboriginal people would have starved if Captain Cook hadn’t discovered Australia, her palpable anger sits somewhere between incredulity and fury. She toned it down, she says, after seeing the first edit.
The Library seeks to build comprehensive collections where relevant materials are acquired to the greatest extent possible; representative collections where the Library selects a manageable amount of material to represent a type, creator or subject; and selective collections where items of national priority or special significance are identified and collected, or where depth of collecting is prioritised above breadth. This section of the policy is arranged in sequence from comprehensive to selective, recognising that such a continuum is neither fully linear nor completely exclusive. Web archiving for example, falls midway along this imaginary line, and is by turns comprehensive, selective and representative.
George Carter (1737-1795) Death of Captain Cook, 1781.
The Pictures collection includes material in a wide variety of formats which document significant people, places and events in Australian history and society and to some extent, the activities of Australians overseas, especially in Antarctica and Papua New Guinea.
Comprising photographs, prints, drawings, watercolours, cartoons, miniatures, paintings, architectural plans, objects and sculpture, the collection documents the lives of past and present Australians, and the communities and landscapes they inhabit.
People seeking historical images of Australian towns and landscapes, portraits of public figures, images of colonial life, early illustrations of Australian flora and fauna, political cartoons or contemporary photographs of popular culture and current events, will find the collection invaluable.
In the Penal Colony
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